![]() T R A N S C R I P T |
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In inquiring about the specificity of the medium, I am not in search of an essence. The question of specificity in the critical tradition has often led toward establishing such ends. Thus at one time we might have argued here over the characteristics specific to painting versus those belonging to literary objects. Cultural and mental hierarchies were constructed upon the universally valid essence believed to exist at the heart of each cultural form of representation. Rather, what I am interested in is inquiring into the forms of understanding which allow us to accept digital representation as different from other modes of representation. I tend to use "digital representation" and "new media" synonymously. At times, I "collapse" together various digital practices as programming, digital image editing, and web surfing. I do this in order to emphasize the similarity and identity of the tools common to much of human-computer interaction today.
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